Wednesday, February 29, 2012

CASSIDY Follows Her Freedom As BOHEME And Reigns Supreme

At first glance, Bohéme's Follow the Freedom seems like it must be the work of a new artist.

According to all search engines and music libraries, no such person or entity has ever released an album before. In fact, though, Bohéme is the name taken by an established and acclaimed musician—a singer, songwriter, producer, and entrepreneur—to mark a new chapter in her career, and in her life. So rather than announcing the arrival of a rookie, Follow the Freedom represents an artist reborn.

For eight years, Cassidy was the front woman and primary songwriter in Antigone Rising. After releasing four independent albums, the all-female rock band was signed to Lava/Atlantic Records, and its 2005 major label debut From the Ground Up sold almost 500,000 copies.

Celebrated for the excitement of its live performances, the group toured with the Rolling Stones, Aerosmith, Dave Mathews, and Rob Thomas.

"It was an amazing period of discovery and growth," says Cassidy. "I learned a lot about the business, and about being part of a team, since I was always a bit of a loner. But for many reasons, by the end I just wasn’t getting all that I’d hoped for."

When she decided to leave the band, however, Cassidy faced a conundrum. In the intervening years, a rapper known as Cassidy had hit the charts and, as she says, "kind of cornered the market on the moniker."

Really, though, the name issue wasn't the most immediately pressing matter for the singer. Having struck back out on her own, she found that she had lost the inspiration to make music. "It was like the voice was silent," she says. "I was disenchanted, bewildered. I didn’t have the desire to do it anymore, or know if I could ever get back there again."


She did some freelance journalism and some acting, wrote a book and screenplay, even tried writing a few songs— "but they felt like a chore," she says.

Something more drastic needed to happen for Cassidy to find her fire for making music, her passion since singing in local New Jersey bands as a teenager before moving to New York, Los Angeles, and London to chase the dream.


"I needed to go back to the beginning, to who I was before the band," she says. "And I found that girl was still very much there, and had been progressing the whole time. As soon as I started to be creative without having to prove anything, the songs started to come, and it was like the floodgates opened."

The first song to arrive was the breezy, buoyant "Everything Sunshine," its mood the furthest thing from the crisis she was facing. "That was the first moment I could see that I was headed in the right direction," she says, "and that the answers could possibly be in the songs themselves, if I could just let myself write them."



Next came "Even the Mistakes," a sentiment that was perhaps both more predictable and more necessary in her current state. "The song was giving me permission to screw up," she says. "I realized that the bad times in your life aren't forever, and they happen for a reason."


By the time she wrote the powerful "Thank You for Breaking My Heart," Cassidy had relocated to LA and knew that she had something to develop. She contacted her old friend Don Boyette, best known as Michael Jackson's touring bassist, who agreed to co-produce her album, with all of the support a true friend can offer. "I've known Don forever, we have sort of a brother-sister relationship," she says.

The sound that Cassidy created for Follow the Freedom, in front and behind the microphone, took the singer back to her earliest influences. "I always wrote these little blue-eyed soul ditties—like some cross between Minnie Riperton and Rickie Lee Jones, with some arena-rock sensibilities in the choruses," she says. "The radio was the only musical instrument in my house growing up, so I love those '70s and '80s melodies."



During the final stages of the album, she even got to live out a true classic-rock dream. Mixer Niko Bolas, who has worked with everyone from Neil Young to Frank Sinatra to Keith Richards, invited an old friend to stop by and listen to Cassidy's songs.

"I walked into the studio one day to find Steve Perry hanging out in my mixing bay," she says, still with a certain degree of disbelief. "Before I knew it, he was there every day showing me tricks he used to get his voice to sound like that on his albums. Secrets I will take to my grave! He even came up with this cool idea for a backing vocal on 'Follow The Freedom'. We threw a mic up and sang together!"

With the album done, and given an unexpected blessing from the voice of Journey, there was still the unresolved matter of the name. "Don said it would just come to me, and it did," she says. She settled on a word that has long evoked creativity and independence.

DOWNLOAD A FREE MP3 of the Remix ft. vocals by Steve Perry


"Bohéme is the name of the project," she says, "but it's also me. Who I am and how I feel—a gypsy, a free spirit. I'll always be Cassidy, that's my name, but this is sort of an alter ego, a character I’ve created as I’m starring in this new role of my life."


And that's a complicated role, indeed, as Cassidy is releasing the album on her own Band and Mountain record label, while preparing to bring the new songs alive with all of her usual dynamism on stage. But, as always, the music comes first: With its brave emotions, uplifting messages, and soaring soul melodies, Follow the Freedom offers a classic sound and a welcome spirit in the music landscape.

"When I look into the abyss of the music business," says Cassidy, "I don’t see me out there. We need theatrics and slight of hand, we all want to be entertained of course! But we also need more voices of women who are real. There has to be someone else girls can look at and say, 'She’s like me.'

"I made the music that I want to hear.
I only really know how to do what I do."



BOHEME - FOLLOW THE FREEDOM
1. Follow the Freedom
2. Even The Mistakes
3. Everything Sunshine*
4. Blind Spot
5. Done Done Done*
6. Undertow*
7. Pot of Gold*
8. A Girl Like That
9. Sensitive People*
10. Thank You for Breaking My Heart

*Mixed by Niko Bolas at The Surf Shack, Los Angeles, CA

All songs produced by Cassidy Catanzaro and Don Boyette except for "Pot Of Gold" and "Sensitive People" which were produced by Cassidy Catanzaro and George Stanford.



BOHEME
TOUR DATES

03/31 - N. Augusta, SC @ Downstairs Live
04/01 - Chapel Hill, NC @ Local 506
04/02 - Arlington, VA @ IOTA
04/03 - Pittsburgh, PA @ Club Café
04/04 - Philadelphia, PA @ Tin Angel
04/06 - New York, NY @ Rockwood Music Hall (No Cover)

Saturday, February 25, 2012

PANTERA Vulgar Display Of Power 20th Anniversary Edition May 15

February 25 1992 witnessed the resolute declaration of A New Level of Confidence & Power, A VULGAR DISPLAY OF POWER.

Seems like a brief minute ago, I was drinking beers with Dimebag Darrell, Vinnie Paul and Rex Brown at a billiard hall around the corner from the Vic Theatre in Chicago before PANTERA's record release show for VDOP.


And poof. 20 years have vanished but the legacy of one of the greatest metal albums EVER lives on. It's as fucking hostile as ever!

Today marks the 20-year Anniversary for Pantera’s Vulgar Display Of Power, a landmark album widely acknowledged as one of metal’s most enduring and influential masterworks.

Recorded by singer Philip Anselmo, guitarist “Dimebag” Darrell Abbott, bassist Rex Brown and drummer Vinnie Paul, the album has been certified double platinum by the RIAA and features several of the group’s most iconic songs including 'Walk', 'Mouth For War', 'This Love', and 'Fucking Hostile'.


Pantera - Walk by Warner-Music

To celebrate, Rhino channels the album’s relentless blitzkrieg of musical aggression onto a two-disc Deluxe Edition. The CD includes the original album remastered and “Piss,” a recently discovered unreleased track from the recording sessions.

The DVD contains an unreleased live performance filmed in Italy in September of 1992 plus the three official music videos from the album.

Due out May 15, 2012 from Rhino, the CD/DVD set will be available at retail outlets and will also be available digitally.



The collection features the debut of 'Piss', an incendiary blast of vintage Pantera from the original recording sessions. It remained lost until Vinnie Paul rediscovered the track while going through the band’s vault.


Along with the unreleased song, Vulgar Display Of Power (Deluxe Edition) also features unreleased video of the quartet performing six songs at the Monsters Of Rock show in Reggio Emilia, Italy on September 12, 1992.

The set list draws almost exclusively from Vulgar (“This Love,” “Rise” “Mouth For War”), but also includes the title track from their previous album, Cowboys From Hell, and a melding of Vulgar’s “Hollow” and Cowboys’ “Domination,” which was a live staple of the band.

Video of Pantera performing live during this era is extremely rare, making the DVD one of the few ways to see them in their prime.

PANTERA
Vulgar Display Of Power
Expanded Edition

Tracklisting:

CD
1) Mouth For War
2) A New Level
3) Walk
4) Fucking Hostile
5) This Love
6) Rise
7) No Good (Attack The Radical)
8) Live In A Hole
9) Regular People (Conceit)
10) By Demons Be Driven
11) Hollow
12) Piss (Previously Unreleased)

DVD
Mouth For War – Live In Italy 1992
Domination/Hollow – Live In Italy 1992
Rise – Live In Italy 1992
This Love – Live In Italy 1992
Cowboys From Hell – Live In Italy 1992
Mouth For War – Music Video
This Love – Music Video
Walk – Music Video

PANTERA already have 5,000,000+ Facebook fans...and are looking for a few million more.

LONG LIVE DIMEBAG DARRELL!

Monday, February 20, 2012

HE IS WE Are Creamy As Buttermilk. Skip To Ma Lou, Oh Darling!

HE IS WE will hit the road as headliners in May & June on the GIVE IT ALL tour with support from Deas Vail, Plug In Stereo and South Jordan.

The five week cross-country jaunt which includes a slot at Bamboozle marks the first tour since releasing their Skip To The Good Part EP in late December.

Sure to be heard during each night's HIW set will be "Our July In The Rain" from the new EP and both "Blame It On The Rain" and "Happily Ever After" from their My Forever album (both videos have over a million views):




Pairing the He from The We with the He known as Plug In Stereo will result in a stereophonic tremor of Trevors.

Trevor Kelly from He Is We will be pseudo-shadowed by opener Trevor Dahl (aka Plug In Stereo) whom will inspire cacophonous sing-alongs during his sugary-sweet "Oh Darling" (minus the inimitable Cady Groves):



However, Mr. Dahl separately paired up with Ms. Groves for an impromptu hotel room karaoke session knocking out quickie covers of Ke$ha "Blow" and Adele "Rolling In The Deep":







Having seen He Is We last summer at Chain Reaction in Anaheim, I highly suggest catching one of the shows.

Hearing the crowd sing along to every word of every song at the top of their lungs is, alone, worth the low dough price of admission (advance tix for the LA show are $12).

It will be an evening for All To Give It All because...

Fly's in the buttermilk, shoo, shoo, shoo.
Skip to my Lou, Oh Darlin'

HE IS WE
2012 Tour Dates
May 02 - Varsity Theater Minneapolis, MN
May 03 - The Rave Bar Milwaukee, WI
May 04 - The Bottom Lounge Chicago, IL
May 05 - The Pyramid Scheme Grand Rapids, MI
May 06 - Musica Akron, OH
May 08 - Rocketown Nashville, TN
May 09 - Masquerade Atlanta, GA
May 10 - The Social Orlando, FL
May 11 - Local 662 St Petersburg, FL
May 12 - Jack Rabbits Jacksonville, FL
May 14 - Tremont Music Hall - Casbah Charlotte, NC
May 15 - Jewish Mother Virginia Beach, VA
May 16 - Ottobar Baltimore, MD
May 17 - The Note West Chester, PA
May 20 - Bamboozle Asbury Park, NJ
May 22 - Altar Bar Pittsburgh, PA
May 23 - The Loft Lansing, MI
May 24 - The Basement Columbus, OH
May 25 - Emerson Theatre Indianapolis, IN
May 26 - The Blue Moose Tap House Iowa City, IA
May 27 - Sokol Underground Omaha, NE
May 29 - Marquis Theatre Denver, CO
May 30 - The Complex | Grand Room Salt Lake City, UT
Jun 01 - The Nile Mesa, AZ
Jun 02 - Chain Reaction Anaheim, CA
Jun 03 - Troubadour Los Angeles, CA
Jun 05 - Hawthorne Theatre Portland, OR
Jun 06 - El Corazon Seattle, WA

Thursday, February 16, 2012

CELLESTE Imbues Janis Joplin In A Led Zeppelin. Get READY TO FLY!

O CANADA...

With fertile plains and mountains grand. With lakes and rivers clear,
Eternal beauty, thos dost stand...

But, really, tell me...is it your spacious skies?

Your proximity to the Aurora Borealis?

Is there a lil somthin' somthin' in the potash?

Is LaBatt's brewing a special strain of potassium carbonate?

Over the years, you continually export iconic female singers with great regularity; Avril Lavigne, Alanis Morissette, Sass Jordan, Tegan & Sara, Lights, Melissa Auf der Maur, Kathleen Edwards, Sarah McLachlan, Loreena McKennitt, Joni Mitchell, Buffy Sainte-Marie, KD Lang, Diana Krall, Nelly Furtado, Alannah Myles, Frazey Ford, Serena Ryder, Esthero and Geddy Lee...ok maybe he just sounds like a woman.


You also provide a fertile environment for Montreal native CELLESTE and her brand of ballsy blues-soaked gut-check Bron-Y-Aur stomp that makes one imagine what would have been if Janis Joplin (and not Paul Rodgers) had been joined at the hip with maestro Jimmy Page to metamorphosize into the quasi-natural dynamic duo deemed Overlords in a Bad Company called THE FIRM of Rock 'N Roll.


Did someone sprinkle "pot ash" on my Corn Flakes?
Are Porn Flakes the Lebkuchen du jour?
Or is my mind's eye too close to the thermosphere?

Inspired by the rock bands of the 60’s and 70’s and with a gritty voice reminiscent of Linda Perry, Sheryl Crow, Joss Stone, Tina Turner and Joan Jett, Celleste's music is a blend of rock, folk, blues and pop, a melting pot that she likes to call “Modern Classic Rock”.



Celleste elaborates, "I’d often hear Led Zeppelin and Janis Joplin coming through my older brother’s door, while my dad was playing Chet Atkins tunes in the basement...it was a great environment to grow up in, and obviously influenced who I am today."


ComScore
While her debut album READY TO FLY is chock full of blustery riffs as heard on its 8+ minute Led Zep 'Ramble On' meets Triumph 'Magic Power' title track and its rip-roaring "Real Love," its sonic palette is colored more by the Black Crowes' shake of "Drive," the Hammond B3 propelled gospel revue "What Are We Waiting For" and the folksy mandolin stroll of "Say What You Want" which serve as a passageway to its emotional center that is "Beyond Words".



With the lingering reverb of a luscious piano melody layered against the deftly orchestrated refrain "You have given me so much, A Love beyond, A Timeless bond," its shadow is its cloak.


Something's at the edge of your mind, you don't know what it is
Something you were hoping to find, but your not sure what it is
Then you hear the music and it all comes crystal clear
The music does the talking, says the things you want to hear

Celleste's music shall provide the wind beneath your wings...

With glowing hearts we see thee rise, the True North strong and free...

Get Ready To Fly!

Wednesday, February 8, 2012

Cassadee Pope; Candles And A Torn Yellow Card Elicit A Darling Parade

"Hey Monday"...it's Tuesday.

We realize we've been following in your footsteps for the past 1800 years or so but since we're aligned with Mars we get to light up all the stars. You, being Luna, can project your dark side of the moon to reflect our glory of the Holy to the aggregated masses forming a darling parade.

While Pope Gregory XIII (1502-1585) of Bologna, Italy reformed the Julian calendar in 1582 to become the reflectively named Gregorian calendar, Pope Cassadee I (b. 8/28/89) of West Palm Beach, FL has spent her brief papal amassing a faithful congregation with the delicious exquisiteness of her expertly crafted pop punk nuggets, anthems to sing all year round.

It, typically, is rare to find a Pope hanging out at a rock club but the lure of the City of Angels beckons even the mightiest to the glitter of the hallowed Sunset.


Late last year, a Hey Monday Christmas EP, with a rendition of "O Holy" sung by the Pope, was released to the masses for a suggested donation of 396 cents. After a nascent Gregorian year was ushered in, the Pope declared she was going to go on sabbatical from her Monday mission.

A new mission was born. A storytellers sermon would adorn. Sound would be shorn and a familiar Homecoming would be torn.

On the final day of January, Cassadee Pope, along with Stephen Jerzak, Justin Young, It Boys! and Mikey James bonded to emulate a Darling Parade of rising royalty.

Taking a seat at the front of the stage with an acoustic guitar and flanked by a violin player, a guitar player and a percussionist delicately tapping a wooden beat box, Ms Pope treated the Tuesday Night Key Club to Hey Monday Beneath It All delicacies "Wish You Were Here" and "Hangover" before segueing through an avenue of new tunes.

She introduced "Secondhand Love" by saying she was inspired by country superstars Sugarland. From there she invited opener Justin Young to help inhabit "Lunatic," a song they penned together.

Dainty footsteps, one after the other, on our way to the sunflower hue of the promised land.

Soon Ryan Key, singer of fellow Floridian pop punkers Yellowcard, strolled out slinging an acoustic tuned to the key of awesomeness.

However, for the initial gorgeous vocal interplay of "Hang You Up," Cassadee needed to dial up the lyrics on her iPhone. I believe the words auto-scrolled via a Frank Sinatra teleprompter app (sic).

The two rosy peas in a ipod soon unified in harmonious vibrato for a stirring transformation of Yellowcard's "Only One" (Cassadee's favorite YC song).


Watch both versions (live from the Key Club and live last year with Cassadee joining in for a chorus at the 3-minute mark)




The room then caught fire with "Candles" and a string of Hey Monday hits including the incredibly infectious "I Don't Wanna Dance" (which is so UNDENIABLE! You gotta DANCE! As if you have lit candles in your pants!).

Another soft kiss from acoustic heaven came in the form of a stripped down version of Ednaswap's "Torn" (a #1 smash hit for Natalia Imbruglia) which, rather than feel worn, felt elegantly re-born.



Yes, it's ah, ah, Obvious to me. Right here is where the party starts, with you and me...

I'm feeling what I'm feeling cause I'm ready to go...

To a shiny pinwheel parade led by a dexterous darling...


Behold the pop-rock polish of DARLING PARADE.

Formidably led by the soaring breathy vocals of Kristin Kearns, whom also adds rhythmic muscle on six parallel steel strings, the quartet's 80s-influened power pop posturing is augemented by the heft of bassist of Nate Thurston, guitarist Adam Hatfield and drummer Casey Conrad which coalesces into the confident strut of this populist Parade.

Their music has easy appeal. It's new yet familiar. Coated with a glossy sheen, a sticky sweet piece of ear candy like "Long Way Back" embodies its words literally as flashes of Rick Springfield "Jessie's Girl" Toto "Hold The Line" and Survivor "Eye Of The Tiger" transport one back in time...

Baby, it's a long way back to where we came from

Positioned as the main support act for the entire run of shows, this well-oiled Nashville quartet won me over from the get-go.

The mark of an enduring professional band is sticking true to one's own pursuit.

Playing an early slot on a lengthy bill of mainly stripped down performances to a sparse crowd of indifferent strangers (LA can be a tough crowd, especially when they don't know the music), Darling Parade played with considerable more energy than their meticulously tailored studio tracks would have alluded to.

Locked and loaded with precision aim, their vibrant voyage into the sunset was, unfortunately, derailed by a mid-set tech problem with the bass rig (which cut their already short set by a further two songs).



However, against-all-odds, DP enthusiastically delivered a five-song set of deftly layered tracks, mainly from their latest EP Until We Say It’s Over which landed at #8 on Billboard’s “Next Big Sound” chart the week of its release last November. A highlight of the new EP is "Remember" which features vocals by Stephen Christian of Anberlin.

With great aplomb, The City of Angels copiously applauded the Pope but the real page-turner was the emergence of an eight-days-a-week Kearns calendar.

For those about to rock with Darling Parade, every day is Funday!

"Hey Monday" move on over.

Funday comes after Sunday!

To celebrete, The Bells Are Ringing!




CASSADEE POPE
Key Club, W. Hollywood, CA
January 31, 2012
Set List:
1. Wish You Were Here
2. Hangover
3. Proved You Wrong
4. Secondhand Love
5. Lunatic (w/ Justin Young)
6. Hang You Up (w/ Ryan Key of Yellowcard)
7. Only One (w/ Ryan Key of Yellowcard)
8. Candles
9. I Don’t Wanna Dance
10. Homecoming
11. I Told You So
12. Torn (Ednaswap cover)
13. How You Love Me Now
14. 6 Months
DARLING PARADE
Key Club, W. Hollywood, CA
January 31, 2012
Set List:
1. When It's Over
2. Never Wrong
3. Give It Up
4. Remember
5. Never Fall Down
TOUR DATES
Cassadee Pope w/ Darling Parade
Jan 27 Chain Reaction - Anaheim, CA
Jan 28 Martini Ranch - Scottsdale, AZ
Jan 31 Key Club - West Hollywood, CA
Feb 01 Rock City - Camarillo, CA
Feb 02 Jerry's - Bakersfield, CA
Feb 11 Beat Kitchen - Chicago, IL
Feb 12 Altar Bar - Pittsburgh, PA
Feb 14 First Unitarian Church - Philadelphia, PA
Feb 15 Brighton Music Hall - Boston, MA
Feb 16 Mexicali Live - Teaneck, NJ
Feb 17 HighLine Ballroom - New York, NY
Feb 18 Planet Trog - Whitehall, PA
Feb 19 Sound Stage - Baltimore, MD
Feb 22 The Masquerade - Atlanta, GA
Feb 23 1982 Bar - Gainesville, FL
Feb 24 Culture Room - Fort Lauderdale, FL

(Special thanks to Nate Thurston. Key Club photos by Picksysticks)

Monday, February 6, 2012

PAUL KELLY A To Z Box Set Feb 28; U.S. Tour Feb 28-Mar 27

PAUL KELLY's 8-disc (105 song), live box set THE A TO Z RECORDINGS will be officially available in North America exclusively via Amazon on February 28.

It will also available as a deluxe box-set version that bundles it with his critically acclaimed “mongrel memoir” How To Make Gravy (Penguin Int’l), available by itself and as a 9-disc audio edition (the 9th disc features guest readers that include: Russell Crowe, Cate Blanchett, and Hugh Jackman). iPhone and iPad apps are available for the book.

This career-spanning eight-CD set features 105 songs drawn from Kelly’s esteemed album catalog, combining fan favorites, rare gems and numerous notable songs previously unreleased in North America.


In North America, Paul Kelly is loved by a fervent following of devoted, discerning listeners. In his native Australia, though, where his songs are lodged deeply in the country’s soundtrack, Kelly is virtually a national hero.



In a career that spans more than 30 years, Kelly has released a steady stream of albums that showcase his emotionally vivid, musically expansive songwriting, capturing the essence of the Australian landscape while demonstrating Kelly’s uncanny ability to distill a novel’s worth of narrative and character detail into a straightforward, effortlessly accessible melodic pop tune.



Rolling Stone’s David Fricke has called Kelly “one of the finest songwriters I have ever heard, Australian or otherwise,” while Neil Finn of Crowded House has said, “There is something unique and powerful about the way Kelly mixes up everyday detail with the big issues of life, death, love and struggle — not a trace of pretense or fakery in there.”

Or, as his fellow Australian Kasey Chambers put it, “If I was only allowed to listen to one artist for the rest of my life, I would choose Paul Kelly.”


In the years since the release of his 1981 debut album Talk, Kelly has maintained a prolific pace that’s helped to win him a permanent place in the hearts of fans around the world. The Adelaide native first picked up a guitar and began to write songs in his late teens.

After stints as a solo folkie and a member of the R&B-influenced pub-rock combo the High Rise Bombers, he won a recording deal with the Mushroom label, for which he recorded the seminal albums Talk, Manila, Post and Gossip, credited variously to Kelly solo and with backup combos the Dots, the Coloured Girls and the Messengers.


Gossip became Kelly’s first U.S. release on A&M Records, which also issued his Under the Sun and So Much Water So Close to Home. These albums won him reams of stateside critical acclaim, while expanding his loyal U.S. fan base.

Kelly continued to stake out new territory on such subsequent releases as Comedy, Wanted Man, Deeper Water, Live at the Continental and the Esplanade, How to Make Gravy, Words and Music, Nothing But A Dream, Ways & Means, Foggy Highway and Stolen Apples.

He also branched out stylistically with Smoke, a rootsy collaboration with the Australian bluegrass combo Uncle Bill, as well as an eponymous experimental dub-reggae album recorded as part of the techno-groove ensemble Professor Ratbaggy, and most recently a self-titled album as a member of the studio band Stardust Five.

In recent years, Kelly has showcased both the depth of his songbook and his skills as a solo performer with his long-running series of Paul Kelly A-Z shows, in which the artist works his way through an alphabetical list of more than 100 songs during a four-night stand of unplugged concerts.


In addition to his recording and touring career, Kelly has explored a varied array of other creative pursuits. His interest in aboriginal issues has led him to collaborate with aboriginal songwriter Archie Roach and the multicultural group Yothu Yindi.

He wrote songs for, and acted in, the Australian stage play Funerals and Circuses, and has provided music for numerous Australian movies and TV shows, including award-winning scores for the films Lantana, One Night the Moon and Jindabyne.



Kelly’s “mongrel memoir” How To Make Gravy has won considerable acclaim, including winning the Australian Book Industry Award for best biography, and he’s published four volumes of his song lyrics, and written pieces for the prestigious Australian magazine The Monthly.

Kelly has won also won numerous awards, including eight Australian Recording Industry Association (ARIA) Music Awards, and was induced into that organization’s Hall of Fame in 1997.

PAUL KELLY
(w/ Dan Kelly)
Tour Dates:

February 28-29 AUSTIN, TX Cactus Café
March 3 PITTSBURGH, PA Club Café
March 4 CHARLESTON, WV Mountain Stage
March 6-9 NEW YORK, NY Rockwood Music Hall – Stage 2
March 11-12 VIENNA, VA Jammin’ Java
March 14-15 PHILADELPHIA, PA World Café Live
March 16-17 CAMBRIDGE, MA Passim
March 20 LOS ANGELES, CA Largo at the Coronet
March 22-23 SAN FRANCISCO, CA Swedish American Hall
March 25-26 SEATTLE, WA Triple Door
March 27 PORTLAND, OR Alberta Rose Theatre

“One of the finest songwriters I have ever heard, Australian or otherwise.” Rolling Stone’s David Fricke

“There is something unique and powerful about the way Kelly mixes up everyday detail with the big issues of life, death, love and struggle — not a trace of pretense or fakery in there.” Neil Finn (Crowded House)

“His songwriting is up there with the greats....the bittersweet and hard-core honesty of his lyrics - and his perfect, direct, often hilarious delivery - is the sort of thing you'll only see once in a lifetime if you're lucky. Drop everything, gather your posse, and go see him while he's over on this side of the planet: he's astonishing." Amanda Palmer

“If I was only allowed to listen to one artist for the rest of my life, I would choose Paul Kelly.” Kasey Chambers

 “I am humbled...a great songwriter.” Lucinda Williams

PAUL KELLY.COM