Friday, August 28, 2009

Tegan & Sara Release SAINTHOOD On 10/27

The grand announcement was delivered picture-in-picture style:

Sainthood (not Thainthood) from Tegan and Sara on Vimeo.


TEGAN & SARA
SAINTHOOD
1) Arrow
2) Don't Rush
3) Hell
4) On Directing
5) Red Belt
6) The Cure
7) Northshore
8) Night Watch
9) Alligator
10) Paperback Head
11) The Ocean
12) Sentimental Tune
13) Someday


Initial dates to support SAINTHOOD are:

Oct 25 - Los Angeles, CA - Orpheum Theater
Oct 30 - New York, NY - Town Hall
Oct 31 - New York, NY - Town Hall

Tegan and Sara.com

Tuesday, August 25, 2009

FLYLEAF "Right Where I Want You To Be Again"


'Again,' FLYLEAF's first single from their upcoming MEMENTO MORI album was released today.

AGAIN
I love the way that your heart breaks
With every injustice and deadly fate
Praying it only be new
Living like it all depends on you.

Here you are down on your knees again
Trying to find air to breathe again
Only surrender will help you now
I love you please see and believe again.

I love that you're never satisfied
With face value, wisdom, and happy lies
You take what they say go back and cry
You were so close to me that you nearly died.

Here you are down on your knees again
Trying to find air to breathe again
Only surrender will help you now
I love you please see and believe again.

They don't have to understand you
Be still
Wait and know I understand you
Be still
Be still

Here you are down on your knees again
Trying to find air to breathe again
Only surrender will help you now
The Flood gates are breaking and falling out.

Here you are down on your knees
Trying to find air to breathe
I want you to be again
I love you please see and believe again
Here you are down on your knees again
Trying to find air to breathe again
Right where I want you to be again
See and believe.

MYSPACE (Listen to Again)
ITUNES
AMAZON

Saturday, August 22, 2009

TIESTO's 4th Album KALEIDOSCOPE Due 10/20


KALEIDOSCOPE is Tiësto's 4th artist recording and is expected to reflect the growing stature of a man who many consider to be the world's biggest DJ.

The new album features artist collaborations with Jónsi of Sigur Rós, Kele Okereke of Bloc Party, Nelly Furtado, Calvin Harris, Tegan & Sara, Emily Haines of Metric, Kianna of Tilly & The Wall and Sneaky Sound System whom is featured on the first single "I Will Be Here".

The video for "I Will Be Here" was shot in Tokyo and directed by the famed Masashi Muto (known for directing the Death in Vegas music video "Scorpio Rising").



This past Tuesday, Sterogum premiered "Feel It In My Bones," the collaboration with Tegan & Sara. It went down like this: Tiësto gave them a track, they wrote lyrics and vocal lines for it and then he finished it up in his Holland studio. The artists are pretty stoked about the results. As Sara puts it:

"Tegan and I would happily disband if Tiësto let us tour the world with him. I'd take dance lessons and would be open to discussions about wearing "outfits" on stage. We're proud of the collaboration and can't wait for people to hear the song!"

T&S recorded a special intro for the premiere from an undisclosed shower stall:

T+S+ Tiësto from Tegan and Sara on Vimeo.

The release of KALEIDOSCOPE on October 20th will be supported by a worldwide tour in 2009-2010, taking the KALEIDOSCOPE live experience out on over 175 dates, across 5 continents. North America in Sept-Nov 2009 will range from arenas and coliseums to intimate nightclubs.

Tiësto had this to say regarding the new album and forthcoming North American tour: "I'm very excited to work with Ultra Records to release KALEIDOSCOPE. The company understands my artistic vision for the project and brings a lot of forward thinking to what I believe is my best record to date. Most importantly, I can't wait to start playing this record out! It will be special to start off in New York City, then go all over North America for our first leg of the tour."

KALEIDOSCOPE WORLD TOUR -- NORTH AMERICAN DATES
(Dates subject to change)

Thu 9/24 New York, NY - Hammerstein Ballroom
Fri 9/25 New York, NY - Hammerstein Ballroom
Sat 9/26 New York, NY - Hammerstein Ballroom
Thu 10/1 Boston, MA - Tsongas Arena
Fri 10/2 Montreal, Canada - Bell Center
Sat 10/3 Toronto, Canada - Arrow Hall
Sat 10/10 Atlanta, GA - North Atlanta Trade Center
Sun 10/11 Washington, DC - Fur
Mon 10/12 Cleveland, OH - Aura
Tue 10/13 Columbus, OH - Boma
Wed 10/14 Philadelphia, PA - Electric Factory
Thu 10/15 Charlotte, NC - The Forum
Fri 10/16 Orlando, FL - UCF Arena
Sat 10/17 Miami, FL - Liv
Sun 10/18 Tampa, FL - The Ritz
Fri 10/23 Houston, TX - Reliant Arena
Sat 10/24 Dallas, TX - the Palladium
Sun 10/25 San Antonio, TX - Cowboys
Mon 10/26 OK City, OK - City Walk
Tue 10/27 Nashville, TN - Limelight
Wed 10/28 St Louis, MO - Home
Thu 10/29 Kansas City, MO - Uptown Theater
Fri 10/30 Minneapolis, MN - Myth
Sat 10/31 Chicago, IL - The Congress
Sun 11/1 Milwaukee, WI - The Rave
Sat 11/7 El Paso, TX - venue tba
Mon 11/9 Denver, CO - venue tba
Tue 11/10 Edmonton, Canada - Shaw Conference Center
Thu 11/12 Calgary, Canada - Big Four Building (Stampede Grounds)
Sat 11/14 Vancouver, Canada - PNE
Fri 11/20 in Salt Lake City, UT - venue tba
Sat 11/21 in San Francisco, CA - venue tba
Sun 11/22 in Phoenix, AZ - venue tba
Sat 11/28 in Los Angeles, CA - venue tba
Thu 12/31 Las Vegas, NV - Haze

KALEIDOSCOPE
TRACK LISTING
1. Tiësto feat. Jónsi - Kaleidoscope
2. Tiësto feat. CC Sheffield - Escape Me
3. Tiësto feat. Kianna - You Are My Diamond
4. Tiësto and Sneaky Sound System - I Will Be Here
5. Tiësto feat. Priscilla Ahn - I Am Strong
6. Tiësto feat. Cary Brothers - Here On Earth
7. Tiësto - Always Near
8. Tiësto feat. Kele Okereke - It's Not The Things You Say
9. Tiësto - Fresh Fruit
10. Tiësto feat. Calvin Harris - Century
11. Tiësto feat. Tegan & Sara - Feel It In My Bones
12. Tiësto feat. Nelly Furtado - Who Wants To Be Alone
13. Tiësto - LA Ride
14. Tiësto - Bend It Like You Don't Care
15. Tiësto feat. Emily Haines - Knock You Out
16. Tiësto - Louder Than Boom
17. Tiësto - Surrounded By Light

TIESTO OFFICIAL SITE
TIESTO @ FACEBOOK
TIESTO @ MYSPACE
TIESTO @ TWITTER

Friday, August 14, 2009

Jason Yates To Release New Album On 10/13


Grammy-Award Winning Keyboardist JASON YATES Steps Out in Front for Self-Titled Vapor Records Release

The go-to keyboard player for Ben Harper, Natalie Merchant (Tigerlily), Macy Gray, Michael Franti, G. Love and others is releasing his self-titled album via Vapor Records on October 13.

It might be the rich experience with these other artists, it might be personal influences, or it might be an old soul, but in combination, they have led to a new collection of songs from JASON YATES that truly represent his artistic voice, a voice that is reflective, vulnerable and earnest.

The years working with Ben Harper as a part of the seminal Innocent Criminals line-up taught him the finer points of songwriting, plus, it gave him a confidence in his own music. “There were times with Ben that I would give him pieces of songs, and wait for him to hopefully add his parts to finish them,” Yates says. “But then one day I realized that was a bit of a cop-out. Even he told me that I should finish my own songs. “

The sound of the songs on JASON YATES has elements of the best soul music from the ‘60s and early ‘70s – easy and fluid - but with the clarity and smooth edges of modern production. Yates’ Hammond B-3 organ has a timeless sound, full of the swells and fills that make the instrument so distinctive. Yates called on his L.A-based nucleus of Mark Lightcap (Acetone, Matmos), Oliver Charles (Ben Harper & Relentless7, Common, De La Soul) and Gary Mallaber (Van Morrison, Bruce Springsteen, Steve Miller Band) to play on the sessions, with C.C. Nite on guest vocals and Marc Ford (The Black Crowes, Ben Harper, Gov’t Mule) on guitar. They recorded live with virtually no overdubs at Manuel Nieto’s Estudio in East Los Angeles.

From songs like “My Way Out” and “To Chance” that recall the songwriting effervescence of Van Morrison and Warren Zevon to the rich Gospel feel of “Nobody’so Far,” to the emotional honesty of “Paper Tents” and “Teardrops,” Jason Yates is a deep album that sounds like someone just returning from a fantastic journey, and starting over back home. “When we finished, and all listened back, we knew we’d done what we set out to do,” Yates says proudly. “I spent a long time thinking about this and trying to find a way to do what I wanted. And I finally did.”

Yates and a collective of hand-picked musicians will engage in a weekly residency leading up to the album’s release before embarking on select fall tour dates, all to be announced soon.

JASON YATES
Jason Yates
1) My Way Out
2) Nobody'so Far
3) Coming On Back
4) Paper Tents
5) I Run
6) To Reason
7) To Chance
8) Teardrops
9) Song For You

JASON YATES @ MY SPACE

Thursday, August 13, 2009

Watch Paramore's Ignorance

Paramore's video for IGNORANCE from the forthcoming album 'brand new eyes' debuted today at MTV.com (video directed by Honey):

Paramore Hits The Road For Fall Tour

On September 29th (the same day "brand new eyes" comes out), Paramore will kick off their North American headlining tour, presented by PARAMORE.NET! The tour will start in Pomona, CA at the Fox Theatre and will traverse the continent, ending with a November 1st finale at the world-famous Ryman Auditorium, right in their hometown! Paper Route and The Swellers will join the tour.

Pre-sale tickets will be available beginning next Monday, August 17th. All remaining tickets will then go on sale to the general public on Friday, August 21st and Saturday, August 22nd (check local listings). Via the presale, you can also pre-order "brand new eyes" and join the Official Paramore Fan Club which includes exclusive membership items and access to band meet & greets.

SEPTEMBER
29 Pomona, CA - The Fox Theater

OCTOBER
1 Los Angeles, CA - Hollywood Palladium
2 San Francisco, CA - Warfield Theatre
4 Denver, CO - The Fillmore
6 Kansas City, MO - Uptown Theater
7 St. Louis, MO - The Pageant
9 Maplewood, MN - Myth
10 Chicago, IL - House of Blues
11 Detroit, MI - The Fillmore
15 Toronto, ONT - Kool Haus
16 Montclair, NJ - The Wellmont Theatre
17 Philadelphia, PA - Electric Factory
19 Boston, MA - House of Blues
21 New York, NY - Hammerstein Ballroom
24 Norfolk, VA - The Norva
26 Orlando, FL - House of Blues
27 Atlanta, GA - The Tabernacle

NOVEMBER
1 Nashville, TN - Ryman Auditorium

Monday, August 10, 2009

Joe Perry Joins Dave Navarro For Jane Says

Last night in Chicago, a reunion of the original line-up of JANE'S ADDICTION brought Lollapalooza to a close. As a fitting tribute to embrace the collective communal spirit of the festival Perry Farrell incubated 18 years ago, Aerosmith guitarist Joe Perry joined Dave Navarro on acoustic guitar for a joyous version of "Jane Says," the final Lolla étude and an alt-nation sing-a-long.

This Saturday August 15th at 9PM, you can catch high-grade Lollapalooza 2009 highlights on Fuse TV, but in the meantime, here's the obligatory partial-view fan video:

Sunday, August 9, 2009

FLYLEAF Memento Mori Out October 27th

Easily one of my most-played records last year, I've been eagerly awaiting for the follow up to the addictive debut of FLYLEAF. The wait is nearly over as the band gears up for their sophomore release MEMENTO MORI which means "Be mindful of death" in Latin.

To further explain the genesis of the album's title, FLYLEAF's singer Lacey Sturm (she married last fall) elaborates:

"We picked the title MEMENTO MORI because even though God has given us favor and your support has allowed us to taste fame and turned us from slaves to kings in some sense, we are humbled by all that has happened because we recognize that we are regular people and no better than anyone else. Our success has been a foolish thing to confound the wise, beating odds and exceeding all we could have imagined for our lives. MEMENTO MORI means that no matter who you are, we are all mortal. There is no king that won’t face a mortal death the same as a slave. So kings and slaves alike should make the most of life and love everyone as selflessly as possible, because tomorrow is another day, and kings can fall, becoming slaves, and slaves can be promoted to become kings."

Reuniting with producer Howard Benson to make MEMENTO MORI, the album will contain 12 songs (out of 30 written) including "Beautiful Bride," "Bittersweet," "Arise," "Missing," "Break Your Knees," "Have We Lost," "Again" and "Set Apart This Dream" which was inspired by self-help book Wild at Heart. FLYLEAF also debuted an additional two songs called "Chasm" and "Circle" during a small acoustic tour the band did in Afghanistan for U.S. Troops. This new album will be released on October 27, 2009 with the first single AGAIN available on August 25th.

In the meantime, check out a memento of magic and majesty entitled SORROW from the band's 1st album.

Monday, August 3, 2009

Three-Legged Dog Daze @ Addicted To Vinyl

The Monday Morning Mix graphic by Rachael Novak
Original Artwork ©Eric Dunham;
Three Legged Red Wine Daze c/o Dunham Cellars

ADDICTED TO VINYL MONDAY MORNING MIX - AUG 3, 2009

THREE-LEGGED DOG DAZE
Monday mornings are often a time to reflect about drinking on a Sunday night. For awhile, it was Tony Soprano’s fault as Sunday nights over an intermittent six years were filled with copious amounts of wine and pasta among friends. Somewhere along the way, I befriended a winemaker named Eric Dunham and although the series eventually ended, my preference for alcoholic grape juice from Dunham Cellars in Walla Walla, WA soldiered on. The Dunhams produce world-class Syrahs & Cabernets and make a great table wine called Three-Legged Red named after Port, their beloved three-legged pooch. Like a loyal companion, any of their reds continue to provide an enhancement to Sunday nights; whether it’s Dexter, Californication, Entourage or True Blood, their complex hues colour the engrossing boob tube. At times, I refer to the Cab as ‘Fadernet,’ a trivial mash-up of getting ‘faded’ and Cabernet. And while I’ll take dubious credit for Fadernet, I won’t for take it for ‘Faderade,’ a concoction of vodka and you guessed it. Urban slang strikes again. I digress.

Thanks to Matt at ATV for the opportunity to contribute a MMM. Going into this, I knew piecing together a mix was going to be time-intensive, brain-consuming and most likely accentuated by Columbia Valley nectar. The whole process actually provoked debate amongst friends whether I should be self-aggrandizing, politically correct, generationally cognizant, playlist to the presumed audience or be wantonly obtuse and obscure. I chose to spit into the torrid San Fernando Valley swelter. So, with much anticipation and slight trepidation, I set sail a few weeks ago to dig through my archives and revisit music that has been gathering dust for a long time in hopes of parsing together a seemingly congruent slab of music that might entertain and engage while also providing a glimpse behind the concave mirror of its creator.

Coming from the era of 8-tracks and TDK/Maxell Chromium oxide cassette tapes where one had to be concerned with space left on a side before the tape ran out (digital-age hucksters have it made) into a situation where there really isn’t a limitation (you can even edit songs as I did). Regardless of the medium, the method remains the same. Devise a tune-stack that lets the music do the talking while occasionally providing a window to the soul (or lack thereof).

This mix went through many, many re-iterations and sequence changes and fortunately (or unfortunately) for those willing to give it a listen, many of my fringe favorites were left out; Mozart, Slayer, Life Sex & Death, tOOl, Yngwie Malmsteen, Deadmau5 & DJ Tiësto (though he’s mentioned in ‘Corona and Lime’). If there is a loose arc to this excursion, it’s tangentially thread together by the various shades of love and how its perception is shaped by context. And, yes, it’s 40% cover songs!

In a perfect world, this mix would be posted as a single (mastered) mp3 with ancillary notes posted after the fact, allowing the listener to indulge their senses with an unassuming unbiased attention span. An old school pipe dream, I know. Oh, how I long for the album idolatry of the 70s…a couch, a purple Graffix, a needle on the record and your imagination was a complete experience. Pass the Cocoa puffs por favor.

Much like any creative excretion, it’s difficult to know when to stop squeezing it but after several sustained moments of silent lucidity, it occurred to me that this Three-Legged Dog Daze was ready for consumption and dissection with the understanding that it’s better to burn out that fadernet away. Without further ado, here’s 56 minutes and 46 seconds of my temporary proprietary musical sanctum.

1) Gasoline – The Airborne Toxic Event
I only own three TATE songs but I play them frequently. One day I may actually get the whole album. On the surface, this is a band I would never like but I was wrong. “Your memory blazes through me. Burning everything. Like gasoline”. Sign me up.

2) Bye Bye Love – The Ditty Bops
The happiest loneliest song this side of the Bayou. The Bops cover The Everlys with sly aplomb. I saw some entertainingly engaging Ditty Bops Vaudeville-esque shows at The Mint / Largo before they released their debut Warner Bros album. I also give them props for riding across the country from L.A. to NYC on bikes during a tour to promote their Moon Over the Freeway album.

3) Walking on Air – Kerli
Esoteric bass-heavy electronic ear candy from an Estonian chanteuse that eschews “a little creepy girl with her little creepy face saying things you’ve never heard”. Throw in her ‘little creepy cat and a little creepy bat’ as lyrical imagery and its Tim Burton’s spawn. Not really, but like high fructose corn syrup, it’s incredibly addicting. I am walking on air.

4) Beat It – Fall Out Boy ft. John Mayer
It’s hard to screw up a classic song and harder to outdo it. This cover has plenty of go-go juice and pork chops. I first listened to Michael Jackson because my guitar hero Eddie Van Halen played on ‘Beat It’. There are those who will say that Mayer’s solo better fits the song. “It doesn’t matter who’s wrong or who’s right”.

5) Corona & Lime – Shwayze
Yeah, it’s a silly love song, years removed from Captain & Tennille, but it goes down as smooth as a cold Corona & Lime. “Let me tell you about a girl I know.” Shout-outs to the 818 (my area code) and the fact they accurately stereotype girls by city AND what electronic music they listen to makes me smile. “If you’re looking for love, won’t you put your hands up.” Hard to think that everyone at a club somewhere at some point didn’t throw their collective hands in the air and woot woot!

6) My Prerogative – Britney Spears
New jack city meets uptown knob-spinners and produces a slice of guilty goodness. What can I say? From time to time, I like me some slick manufactured candy-coated pop. “I don’t need no permission, make my own decisions. That’s my prerogative”. Earlier this year, I stood at a VIP ringside booth during Britney’s Circus tour. Production expanse that only a boatload of money can provide orchestrated the Circus de Soleil stage while the unified piercing screams of 19,000 fervent fans was wholly spontaneous and unbelievably infectious. It was a joyful exercise in sensory and pulmonary excess. Brit-mania was alive and well in the O.C.

7) SpongeBob SquarePants Theme – Avril Lavigne
A palette cleanser. Like a piece of stanky cheese before the next glass of vino at a tasting. This one’s from Canada, not France (though Avril is a French word that means ‘April’). There are those in my social circle who give me shit for liking this pseudo punk rocker. Fair enough, but Ms Best Damn Thing is rocking out the SpongeBob theme, ranting about Nautical Nonsense and it’s less than a minute long. Just do a shot of Limoncello or Espresso and lighten up Francis!

8) Baby Elephant Walk – Monkey Bars
Eight months of my life were spent producing Upstairs at Larry’s: Lawrence Welk Uncorked. I had complete creative freedom to choose any dusty two-track tapes in the Welk Music vault to have them remixed by a slew of International DJs / producers. During the final stages, I would shift the track sequence (nearly every day) and listen to the entire record as I drove through Topanga Canyon to PCH. I must have done that for an entire month before locking it in. Sequencing and psychological pacing are key aspects of all great albums. I was proud of the meticulous result. Being interviewed by the L.A. Times and hearing this song on Nic Harcourt’s ‘Morning Becomes Eclectic’ on KCRW one morning while driving to work are indelible moments, frozen in time.

9) Let’s Play Dumb – The Wah Wahs
Band out of Ireland I tried to sign to a U.S. label deal. Didn’t work out but this song from the nine they recorded is a small slice of playful rock ‘n roll swagger that’s been heard by almost no one.

10) Real Love – Regina Spektor
For a long time, this song used to come on my iPod during a random playlist shuffle and I never knew who it was but it struck me down with its poignancy every time. Like a sublime angel from above coaxing a piano to emote, this one stays with you. I imagine John would be proud.

11) Bad Things – Jace Everett
Sunday nights are all about True Blood, True Love, Anna Paquin, True Blood, True Love. “When you came in, the air went and every shadow filled up with doubt. I don’t know what you’ve done to me but I know this much is true…I wanna do bad things with you. Scowl!” A ditty about Vampires set to a boot-stompin’ Texas Two-step shitkicker beat? Better believe it! Better turn it up! This one’s fangtastic!

12) Hello Hopeville – Dead Ringer Band
The DRB was a family affair. Dad Bill Chambers, mom Diane, son Nash and daughter Kasey grew up in the barren Outback of Australia singing Emmylou Harris, Dolly Parton and Patsy Cline round the campfire. This rollicking version of Michelle Shocked’s “Hello Hopeville” provides a glimpse of Kasey’s unencumbered effervescence. I’m a long-time KC fan and lobbied / helped secure her to contribute ‘Little Sparrow’ to the Dolly Tribute album while I was working with Sugar Hill Records.

13) Acid Jazz Singer – The Fratellis
When I think of The Fratellis, I think of SXSW (about 3 years ago) when they were “the” buzz band that you HAD to see and they played like 7 times. Then it was the incessant Apple commercial. I still wasn’t convinced. When ‘Here We Stand’ came out, a friend let me rip a copy. I never listened to it. Fast forward to this spring. We were driving home from the NIN|JA tour in Irvine and for some ridiculous reason, the I5 was closed down and we had to take a detour…this annoyance coupled with the fact that my car’s confounded screen interface wouldn’t load my iPod library in any order other than alphabetical by song title. So, AJS soon came on and it was a revelation, though we had no idea who the artist was. This one will induce random cravings, albeit with an air guitar longing for the spotlight.

14) Jade’s Song – Jake E. Lee (on 1st Badlands album)
Jake E. Lee followed in the footsteps of Randy Rhoads in Ozzy’s band. He was (still is) a monster guitar player and had all the rock god inclinations, but also had a badass electric tone all his own…could recognize it a mile away. Saw Ozzy w/ Jake and Badlands several times while Ray was still alive. Jake named this song after his daughter Jade. I met both of them at a Foundations heavy metal convention in the early 90s. Good times.

15) Wash – Pearl Jam
I tried (in vain) to include a song from Pearl Jam’s Ten (which is in my Top 5 of all-time favorite albums) but nothing was working so I came across this song (from the Japanese Alive EP) recorded during the same era. With its stark passion, sense of purpose and visceral anguish, it recalls that Vedder was once hungry for fame.

16) 79th & Sunset – Diamond David Lee Roth
Cheap Trick’s ‘Heaven Tonight’ was the first real album in my collection (my K-Tel comps with ‘Smoke on the Water’ don’t count). After hearing Cheap Trick’s ‘Gonna Raise Hell’ from their subsequent ‘Dream Police’ record, I was led down a guitar-heavy path to infamy where I soon became immersed in the bombast of Van Halen and never looked back (6th row for VH on the Diver Down tour is an unmitigated concert milestone amongst my thousand+ shows). Every time that DLR / VH were on Rockline, I would tape it on cassette. Much hilarity ensued during those appearances (“live before your steaming ears”). Here’s Roth at his Diamond Dave best on KMET in L.A. doing a take on Humble Pie’s classic song about a prostitute.

17) Whores (2009 Trent Reznor mix) – Jane’s Addiction
I was fortunate to see the Nothing’s Shocking tour 20 years ago. They played the early show at The Riviera in Chicago. As I was exiting this incendiary show, a line was forming for the late show…Milli Vanilli. Sad but True. Fast forward to earlier this year when I went to the tiny Echoplex in Echo Park to see a 500-person reunion show of the original line-up. Soon thereafter, I was hired to work their Cabinet of Curiosities box set (an honor) and was rocking out with them in the wee hours of the Playboy party at SXSW. Their muscular double bill with Nine Inch Nails on the much ballyhooed NIN|JA tour wasn’t the icing on the cake, that came in the form of Trent Reznor producing a re-recording of this classic track from the band’s early days and giving it away for free. Truth is Stranger than Fiction. What a long strange trip it’s been.

18) In A Simple Rhyme (End Riff) – Van Halen
‘Women and Children First’ was the first LP I bought with my own hard-earned money. Hearing ‘And The Cradle Will Rock…’ on FM Radio was revolutionary! Couple that with the wicked riffage of ‘Fools’ and ‘Romeo Delight’ and WACF will always be my favorite Van Halen album. In retrospect, I feel that although the band was coming apart at the seams from an excess of drugs and booze, this record found the band at their Rock Gods peak. EVH & AVH are gargantuan on this opus. Side 2 is one of the most underappreciated 14½ minutes of rock history. “Babe, I think you’re headed for a whole lot of trouble”. I tried to work a track in but I kept coming back to the riff after the end of IASR. I was always aggravated that a cool off-the-cuff riff was not fully realized. It left me wanting more. Perhaps that was the point. And so I leave you with it as well.

Sunday, August 2, 2009

Jay Jay French Gets Twisted On 50 To Death


50 to Death sounds a bit metal doesn't it? Well, it's actually three boomers (over 50 years of age) jousting with the 21st Century through a series of comedic webisodes. Episode six finds the FtD trio of Jon Freda, Joan Barber & Norm Golden face to face with someone who may or may not be the real JAY JAY FRENCH. Is it monsieur French or not? We hope it's not an imposter because if it's all a hoax, "We're Not Gonna Take It". Judge for yourself.

WATCH IT NOW!

It's all in good fun. In fact, Jay Jay took a break during TWISTED SISTER'S recent shoot for the music video "30," a new track off of the 25th Anniversary deluxe re-issue of STAY HUNGRY to give a shout out to 50 to Death: