Tuesday, September 30, 2008

Christina Aguilera on China's Shenzhou-7 Space Mission?


What's up with this photo?

Did the Chinese accidentally send Christina Aguilera on their Shenzhou-7 space mission last week? Or since the acronymn for the album's title is KGB, perhaps she's been tapped for a secret Russian space mission?

Or is this just the album cover for her new 14-track Greatest Hits release available 11/11:

KEEPS GETTIN' BETTER - A DECADE OF HITS
"Genie in a Bottle"
"What a Girl Wants"
"I Turn to You"
"Come on Over Baby (All I Want Is You)"
"Dirrty" (featuring Redman)
"Fighter"
"Beautiful"
"Ain't No Other Man"
"Candyman"
"Hurt"
"Genie 2.0"
"Keeps Gettin' Better"
"Dynamite"
"You are What You are (Beautiful)"

This Target exclusive includes the catchy new single "Keeps Gettin' Better". More info about KGB

The Ry Cooder UFO Has Landed In Your Ears


In celebration of Rocktober and one of the 10 Best guitarists of all time (according to Rolling Stone), please enjoy this exclusive 10-track listening party culled from the The Ry Cooder Anthology: THE UFO HAS LANDED set for release on October 28.

Listening Party Track list:
1. Low Commotion
2. Let’s Work Together
3. On A Monday
4. Maria Elena
5. Down In Hollywood
6. Paris, Texas
7. Theme From Southern Comfort
8. Billy The Kid
9. Why Don’t You Try Me
10. Going Back To Okinawa

QT
WMA
Real

More info @ AMAZON

Friday, September 26, 2008

Freddie Flintstone and The Golden Smog


"Hiii, all you cats...I've got a square from way back there whose gonna belt one out for us. Freddie Flintstone and The Golden Smog. And on the skins, Barney Rubble to give us trouble.

"Wilma, what's going on?"

"I don't know Betty but The Golden Smog seems to be a hit with these kids."

Bassist Marc Perlman Enters The Daily Vault

The Daily Vault recently caught up with bassist Marc Perlman (Jayhawks) as he reflected about being in the Mpls collective Golden Smog for whom a new retrospective of the early Ryko years was just released on Rhino Records.

DV~Golden Smog has had amazing staying power for a band that just kind of fell together onstage one night. Would you do us a favor and retell the story of how the Smog came to be?

MP~"Danny and Kraig and Gary were doing these three-piece acoustic guitar cover gigs at local bars, and at some point they decided they wanted to do one that was electric. I think I was sitting next to Danny at the time he came up with the idea, so I became the first choice to play bass in the electric version. The original drummer was supposed to be Dave Pirner from Soul Asylum, who was also my roommate at the time, but Pirner backed out the day of our first practice for some reason. I think maybe he had ear problems or something.

And we told him, alright, fine, but you’re going to have to find a replacement, and he was a little confused -- he thought we said “You have to find the Replacements” and so he called up Chris Mars and asked if he could fill in. And that’s how that original lineup happened. [Laughter] If Pirner hears me tell the story that way, he’ll kill me, but more or less, that’s what happened, that’s sort of the genesis of the band as a full recording and performing group".

Brilliant story!! Read the rest of the interview HERE

Monday, September 22, 2008

What Would You Die For?


With the Emancipation Proclamation, Abraham Lincoln signed his own death warrant. And he knew it. A man of uncompromising courage and deeply rooted sense of humanity, he wrote and signed one of the most important documents in American history, and world history - a document that contained principals he would die for.

Today, I saw the original Emancipation Proclamation at the Reagan Library in Simi Valley, CA. Here for only four days, and for only a few hours each day (the delicate nature of the old paper restricts its time in light and air), the EP was part of a small but impactful installation about the Civil War and the ongoing fight for human rights. Tonight, I'm melancholy.

While waiting in line, one could watch a brilliantly produced four-minute video that shows a map of the War region, and with each second of video representing one week's time, clearly watch as battles changed demarcation lines, sometimes subtly but often dramatically, and see the casualty ticker increase until nearly the 1 million mark. 1 million Americans dead or injured at the hands of other Americans. One hundred years later, the Civil Rights movement could probably have been illustrated similarly, with thankfully less casualty but definitely as much violent passion.

The whole experience was humbling and perspective-building. It reminded me how juvenile America is. We are so young - not even 250 years old yet! And yet so much of our history, and present, remains solidly fitted in inequalities. It made me ponder the definition of hero, and contemplate how the noise of the media and Internet prohibit voices from rising. Can there ever again be a Thomas Paine? Or a Harriet Tubman? Or even a Rosa Parks?

Last night while receiving his honorary Emmy, Tommy Smothers reminded us about the righteousness of the word, and our imperative to speak truth to power. In this volatile election year, with everyone screeching at each other in polarizing absolutes, they do so comfortably knowing ultimately their jaw-flapping isn't life endangering. What would we do if our words would end our lives? Would we still boldly exert what's in our hearts?

Lincoln's penmanship is deliberate, neat and unmistakeably readable, making the Emancipation Proclamation even more dramatic. He left no room for misprint, confusion or ambiguity - "And by virtue of the power, and for the purpose aforesaid, I do order and declare that all persons held as slaves within said designated States, and parts of States, are, and hence-forward shall be free;" It's as though he wanted to be sure generations would be able to see his enduring legacy - his words, his action, the thing he would die for.

History, despite its wrenching pain, cannot be unlived, but if faced with courage, need not be lived again." Maya Angelou

Read the Emancipation Proclamation HERE

Kasey Chambers & Shane Nicholson Rattled Bones At Amoeba Records in Hollywood


Kasey Chambers & her husband Shane Nicholson have crafted one of the finest albums of the year. Released Sept 16, Rattlin' Bones is an old-timey country album the likes of which the Carter family used to make and of which few too many are made. It sounds as if the time she spent as a young girl in the outback with her family singing Dolly Parton & Emmylou Harris songs around the campfire has manifested itself, coming full circle. Their voices are perfect compliments echoing one another's shadowy ruminations of hope, desire, lonliness, pain and redemption. It's a haunting poignant listen.

On a two-week U.S. tour to promote its release, Kasey & Shane played sold-out gigs at the Hotel Cafe and McCabe's in Santa Monica before trekking to Austin, New York, DC & Chicago before settling back in Hollywood for a Friday night Amoeba Records in-store. They briefly soundchecked at 5PM before taking the stage at 6PM with Kasey's father Bill on guitar. The trio played a handful of songs from the new album including the boisterous 'Monkey On A Wire' and the lilting 'Sweetest Waste Of Time'.

Afterwards, Kasey talked and chuckled with fans (including one of her newest, a 5-year old named Alley) before heading to LAX for the long flight back to Australia.

RATTLIN' BONES seems like a shoo-in for a Grammy nod and hopefully a win.
More info about Amazon.

Friday, September 19, 2008

Guitarist Dan Murphy Roams Free In The Golden Smog With Owl & Bear


We'd like to give a shout out to Owl & Bear who have really helped us a great deal in promoting the new Rhino Records Stay Golden, Smog: The Best of Golden Smog collection that releases next Tuesday Sept 23rd. In addition to posting banners, press releases, video links and a custom listening party, O&B also caught up with guitarist Dan Murphy (of Soul Asylum & Golden Smog) to discuss Barack Obama, Brian Wilson, Golden Smog's early days, Soul Asylum, The Jayhawks, Jeff Tweedy, nonexistent Swedish brides, and the music industry.

It's a fantastic no-holds-barred interview. One of our favorite DM quotes is his final one as he surmises today's manufactured pop music bleeding the airwaves: "It’s like a Fruitopia commercial from the 80s (laughs). Bright colors, kaleidoscopes, and bubble gum."

Brilliant!
Read the whole Owl & Bear interview HERE
More info / listening party links for Stay Golden, Smog

Friday, September 12, 2008

Time For A Death Magnetic Dose of Cyanide


9/12/08. The glorious day is upon us. Metallica's Death Magnetic hits stores globally today. It took 20 years, but finally a record worthy of obsessive listening. I've immersed myself in the record a couple dozen times in the last 10 days and it still continues to slay me. The outro riffs in the last 2 minutes of "Broken, Beat & Scarred" pack a mighty punch. This muscular section defines the present-day Metallica. Self-assured and ready to storm-troop their way around the world.

Some of what I professed about this new album in a previous post was echoed today in a positive review by the L.A. Times. To one of their points, it is like a game for old school fans (like myself) to dissect every riff & solo to trace their lineage.

Tickets for their SoCal dates go on sale tomorrow. Time to battle Ticketmaster... I'll have the perfect soundtrack blasting in the background.

Rhino To Release 34-Track Ry Cooder Anthology: The UFO Has Landed



Produced by Cooder's son, Joachim, the 34-song compilation offers a fresh look at Cooder's musical career, spanning 38 years--from his eponymous 1970 debut to this year's I, Flathead--and includes the previously unreleased version of "Let's Work Together." featuring accordion player Buckwheat Zydeco, drummer Jim Keltner, pianist Jim Dickinson and bassist Mike Elizondo. Along with his solo work, THE UFO HAS LANDED features selections from Cooder's film soundtracks, including the themes from Southern Comfort and Paris, Texas.

THE UFO HAS LANDED: THE RY COODER ANTHOLOGY collects Cooder's most memorable cuts from his solo albums, including "Maria Elena," "Jesus On The Mainline," "Boomer's Story," "I Got Mine" and "Available Space." The latter, a Cooder original on his debut, got its name from the album's producer Van Dyke Parks, who saw the words on an empty billboard on the way to the studio.

Regarding the striking satirical artwork, Ry is still in search of the artist. He queries in the liner notes: "Somebody sent me the cover art in the mail years ago. Who was it? Please speak up!" - RC

Out OCT 28 - More info @ AMAZON

Tuesday, September 9, 2008

Stay Golden, Stay Cold-In A Golden Smog Beer Koozie

Our friends Mark & Andy over at Americana UK are giving away copies of the new Stay Golden, Smog: The Best of Golden Smog CD. But, wait, that's not all. Each winner will also receive a limited-edition Golden Smog beer koozie (cold beer not included).

So, don't delay...head on over to A UK today before your Heineken, Stella Artois, Asahi, Fosters, Labatt's, Bud, Old Style, Schlitz or Pabst Blue Ribbon gets lukewarm. We prefer a cold Iron City Beer decked out in a commemorative picture of the 1975 Pittsburgh Steelers. Steel can. Steel City. Steelers. All Golden. All day long.

Enter To Win HERE

Monday, September 8, 2008

Hollywood CA Was Also Born In 1888

The Birth Date of Modern Media also includes Tinsel Town.
Hollywood was founded in 1888 by Harvey Wilcox and his wife, Daeida, as part of a residential development. It was Daeida who selected the name after she met a lady on a train whose summer home in Ohio was called Hollywood. In 1903, Hollywood was incorporated as an independent city, however, in 1910, it was annexed into the city of Los Angeles (photo courtesy of the Los Angeles Public Library).

Thursday, September 4, 2008

The End of The Line...The Slave Becomes The Master

Being a 25-year fan of Metallica, a nice surprise from a friend of mine showed up in my inbox this morning...a link to download a zip file of their new Death Magnetic album. After hearing the 1st single and knowing that metal messiah Rick Rubin worked with them on this record, I eagerly anticipated hearing the whole thing. Not wanting a causal listen, I waited until my drive home from the office. Never have I been so excited to sit in traffic on the 101. Volume knob up, sunroof open, sunglasses on and away we go.

Death Magnetic is a holy crusher of a record...from the get-go of That Was Just Your Life, I was quickly given a cranial lobotomy and wished I had open road to accelerate on. I broke out in a smile many times listening to this record as it means business like a record of theirs has not done in a long time. A sure sign of an experienced band with something to prove. And prove themselves they do with perhaps a career-defining statement and a forceful reminder that they are one of the biggest and best rock bands on the planet.

The riffs on this record are not only monstrous in aggression but also in their meaty production, care of Rubin's touch...almost as if Hetfield and Hammett are playing riffs soaked in the brutal ambiance of Slayer's Reign in Blood. There's a sonic passage during the song All Nightmare Long that sounds like it was lifted from that seminal metal classic.

DM stands tall with only 10 songs, spending no less than 5 minutes on each. Trujillo and Ulrich are monsters of rock on this opus and I can't stress enough how much the production kicks ass. The band does do a wee bit of plagiarizing themselves as parts of The End of The Line sound like Creeping Death re-formulated but in each instance that this occurs, the band adds a modern touch and a different dynamic. While it'll be hard to top Ride The Lightning and Master of Puppets for best album it definitely stands shoulder to shoulder and is scary motherfucking good.

Watch their new video for The Day That Never Comes and be sure to turn it up before YOUR LUCK RUNS OUT!!